The rear XLR inputs are combi type connectors, with a 1/4” jack line inputs combined with the 3 pin XLR, but these line inputs are duplicated on the DB25 inputs also available on the rear panel, along with a set of 8 analog outputs also on DB25. The two front panel Hi-Z inputs and mic inputs 5-8 are variable Z, offering the timbre-shifting influence of different impedances to mics and instruments connected to those inputs. The 8 mic preamps are identical to those found on Pro Tools Carbon and the S6L live console. The signal path is 32-bit floating point end-to-end, and double-precision clocking is via Jet PLL for super low jitter. The Pro Tools Carbon Pre has no built-in DSP and lacks Pro Tools Carbon’s monitor section and headphone outputs, but it offers high-quality input facilities identical to those of Pro Tools Carbon, with stacked AD converters for greater dynamic range and signal-to-noise performance. Indeed the only difference on the back panel is the lack of monitor outputs and the footswitch jack. Pro Tools Carbon Pre is an expansion option for Pro Tools Carbon physically very similar, it has identical mic preamps, analogue I/O on DB25 connections, ADAT, word clock and network connections. So what is it, and how does it differ from Pro Tools Carbon? And, with a price tag of $2999, it is significantly cheaper than Pro Tools Carbon ($4199). ![]() With the introduction of the new Pro Tools Carbon Pre, a Pro Tools Carbon system can be expanded to up to 24 inputs, a system suitable for the majority of tracking tasks, though at present only available to Mac users because of the use of AVB, which is less straightforward to implement on a PC. ![]() Pro Tools Carbon’s connection to the host computer is via AVB, but this network connection didn’t offer a way to expand the system, for example, by daisy-chaining multiple Pro Tools Carbon units. Pro Tools Carbon offers potential expansion to 24 mic inputs via ADAT, but when connected much of the functionality of Pro Tools Carbon’s built-in preamps isn’t available to preamps connected via ADAT. However, with 8 mic preamps, for typical band tracking with drums, additional mic preamps are very likely to be required. With 4 discrete headphone outputs fed directly from sends in Pro Tools with HDX levels of latency, this unit is ideal for the project studio or the serious home recordist. A 1U interface with HDX DSP acceleration built in and a complement of I/O aimed at people tracking bands and small ensembles. This gap was neatly bridged with Pro Tools Carbon. Previously there had been a considerable gap in terms of price and complexity between software-only Pro Tools and the near-zero latency performance of HDX. When it launched in 2020, Pro Tools Carbon filled a gap in the Pro Tools product family. An AVB-equipped expansion option with 8-mic preamps, which can expand the connectivity of a Carbon system to 16 or 24 mic inputs, all benefitting from the low latency performance of the Pro Tools Hybrid Engine, which can leverage both the power and latency performance of HDX DSP with the flexibility and power of native processing. To learn more, visit /carbon-faq.At the 2022 AES show, Avid has announced a new addition to the Pro Tools Carbon system – PRO TOOLS | CARBON PRE. Please note that you will need to renew your subscription if you’d like to continue receiving access to the latest Pro Tools updates and all bundled items noted above. If you choose not to renew your subscription, your Pro Tools license includes a “perpetual parachute” that allows you to continue using Pro Tools at the last version you downloaded (it won’t ever expire). * Carbon comes with a 1-year subscription to Pro Tools software, which includes access to the Avid Complete Plugin Bundle, HEAT, UVI Falcon 2, Celemony Melodyne 5 essential, a 5,4 GB Sound-Library, and Standard support, renewable annually. ![]() ![]() Power: 100 mW into 300 ohm 200 mW into 32 ohm Avid-qualified Ethernet or Thunderbolt-equipped Mac computer ( see details)Ĩ balanced XLR/TRS with Variable Z (impedance) on inputs 5–8įrequency Response: 20 Hz–20 kHz, ☐.1 dBĭB25 Line Outputs – 8 balanced via 25-pin D-subĭigital Outputs – ADAT: 16 channels 44.1–48 kHz – ADAT: 8 channels 88.2–96 kHz – ADAT: 4 channels 176.4–192 kHz
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